Grammy Awards 2018: ecco i vincitori
La “music’s biggest night”, quella dei Grammy Awards 2018, la serata che tutti gli artisti aspettano, si è svolta al Madison Square Garden di New York tra tributi, parate di star, esibizioni toccanti e mozzafiato e ovviamente, come in ogni competizione che si rispetti, con vincitori e vinti! Scopriamo chi si è aggiudicato più Oscar della musica e ha portato a casa più statuette!
Grammy Awards 2018: la star è Bruno Mars
Sei i Grammy vinti da Bruno Mars che, tra gli altri premi, si porta a casa quello nelle categorie Album of the Year, Record of the Year e Best Song of the Year . Il vincitore della 60esima edizione dei Grammy’s è lui. Subito dietro di lui Kendrick Lamar, che ha conquistato 5 statuette a fronte delle 7 nominations. Ed Sheeran si porta a casa due premi. Serata no invece per Jay-Z (che era il favorito, con ben 8 candidature) e Childish Gambino, dato alla vigilia come papabile rivelazione degli oscar della musica in questo 2018. L’ hawaiano Bruno Mars, cantante, ballerino, multistrumentista, autore e produttore, quindi trionfa, ma per conoscere tutti i premi assegnati durante la maratona dei Grammy’s, continuate a leggere, troverete la losta completa dei vincitori per ogni categoria!
Grammy Awards 2018: ecco la lista completa dei vincitori
Ecco la lista completa dei cantanti, gruppi, band e compositori premiati per categorie:
- Album of the Year: “24K Magic” — Bruno Mars
- Record of the Year: Bruno Mars
- Song of the Year: “That’s What I Like” — Christopher Brody Brown, James Fauntleroy, Philip Lawrence, Bruno Mars, Ray Charles McCullough II, Jeremy Reeves, Ray Romulus and Jonathan Yip (Bruno Mars)
- Best New Artist: Alessia Cara
- Best Pop Solo Performance: “Shape of You” — Ed Sheeran
- Best Pop Duo/Group Performance: “Feel It Still” — Portugal. The Man
- Best Traditional Pop Vocal Album: “Tony Bennett Celebrates 90” — Various Artists; Dae Bennett, producer
- Best Pop Vocal Album: “÷” — Ed Sheeran
- Best Dance Recording: “Tonite” — LCD Soundsystem
- Best Dance/Electronic Album: “3-D The Catalogue” — Kraftwerk
- Best Contemporary Instrumental Album: “Prototype” — Jeff Lorber Fusion
- Best Rock Performance: “You Want It Darker” — Leonard Cohen
- Best Metal Performance: “Sultan’s Curse” — Mastodon
- Best Rock Song: “Run” — Foo Fighters
- Best Rock Album: “A Deeper Understanding” — The War on Drugs
- Best Alternative Music Album: “Sleep Well Beast” — The National
- Best R&B Performance: “That’s What I Like” — Bruno Mars
- Best Traditional R&B Performance: “Redbone” — Childish Gambino
- Best R&B Song: “That’s What I Like” — Christopher Brody Brown, James Fauntleroy, Philip Lawrence, Bruno Mars, Ray Charles McCullough II, Jeremy Reeves, Ray Romulus and Jonathan Yip, songwriters (Bruno Mars)
- Best Urban Contemporary Album: “Starboy” — The Weeknd
- Best R&B Album: “24K Magic” — Bruno Mars
- Best Rap Performance: “HUMBLE.” — Kendrick Lamar
- Best Rap/Sung Performance: “LOYALTY.” — Kendrick Lamar featuring Rihanna
- Best Improvised Jazz Solo: “Miles Beyond” — John McLaughlin, soloist
- Best Jazz Vocal Album: “Dreams and Daggers” — Cécile McLorin Salvant
- Best Jazz Instrumental Album: “Rebirth” — Billy Childs
- Best Large Jazz Ensemble Album: “Bringin’ It” — Christian McBride Big Band
- Best Latin Jazz Album: “Jazz Tango” — Pablo Ziegler Trio
- Best Gospel Performance/Song: “Never Have to Be Alone” — CeCe Winans
- Best Contemporary Christian Music Performance/Song: “What a Beautiful Name” — Hillsong Worship
- Best Gospel Album: “Let Them Fall in Love” — CeCe Winans
- Best Rap Song: “HUMBLE.” — Duckworth, Asheton Hogan and M. Williams II, songwriters (Kendrick Lamar)
- Best Rap Album: “DAMN.” — Kendrick Lamar
- Best Country Solo Performance: “Either Way” — Chris Stapleton
- Best Country Duo/Group Performance: “Better Man” — Little Big Town
- Best Country Song: “Broken Halos” — Mike Henderson and Chris Stapleton (Chris Stapleton)
- Best Country Album: “From a Room: Volume 1” — Chris Stapleton
- Best New Age Album: “Dancing on Water” — Peter Kater
- Best Contemporary Christian Music Album: “Chain Breaker” — Zach Williams
- Best Roots Gospel Album: “Sing It Now: Songs of Faith & Hope” — Reba McEntire
- Best Latin Pop Album: “El Dorado” — Shakira
- Best Latin Rock, Urban or Alternative Album: “Residente” — Residente
- Best Regional Mexican Music Album (Including Tejano): “Arriero Somos Versiones Acústicas” — Aida Cuevas
- Best Tropical Latin Album: “Salsa Big Band” — Rubén Blades con Roberto Delgado y Orquesta
- Best American Roots Performance: “Killer Diller Blues” — Alabama Shakes
- Best American Roots Song: “If We Were Vampires” — Jason Isbell and the 400 Unit
- Best Americana Album: “The Nashville Sound” — Jason Isbell and the 400 Unit
- Best Bluegrass Album: tie, “Laws of Gravity” — The Infamous Stringdusters and “All the Rage — In Concert Volume One” — Rhonda Vincent and the Rage
- Best Traditional Blues Album: “Blue & Lonesome” — The Rolling Stones
- Best Contemporary Blues Album: “TajMo” — Taj Mahal and Keb’ Mo’
- Best Folk Album: “Mental Illness” — Aimee Mann
- Best Regional Roots Music Album: “Kalenda” — Lost Bayou Ramblers
- Best Reggae Album: “Stony Hill” — Damian “Jr. Gong” Marley
- Best World Music Album: “Shaka Zulu Revisited: 30th Anniversary Celebration” — Ladysmith Black Mambazo
- Best Children’s Album: “Feel What U Feel” — Lisa Loeb
- Best Spoken Word Album (Includes Poetry, Audio Books and Storytelling): “The Princess Diarist” — Carrie Fisher
- Best Comedy Album: “The Age of Spin/Deep in the Heart of Texas” — Dave Chappelle
- Best Musical Theater Album: “Dear Evan Hansen” — Ben Platt, principal soloist; Alex Lacamoire, Stacey Mindich, Benj Pasek and Justin Paul, producers; Benj Pasek and Justin Paul, composers/lyricists (original Broadway cast recording)
- Best Compilation Soundtrack for Visual Media: “La La Land” — Various Artists
- Best Score Soundtrack for Visual Media: “La La Land” — Justin Hurwitz, composer
- Best Song Written for Visual Media: “How Far I’ll Go” — Lin-Manuel Miranda, songwriter (Auli’i Cravalho)
- Best Instrumental Composition: “Three Revolutions” — Arturo O’Farrill, composer (Arturo O’Farrill and Chucho Valdés)
- Best Arrangement, Instrumental or A Cappella: “Escapades for Alto Saxophone and Orchestra From ‘Catch Me If You Can’” — John Williams, arranger (John Williams)
- Best Arrangement, Instruments and Vocals: “Putin” — Randy Newman, arranger (Randy Newman)
- Best Recording Package: tie, “Pure Comedy (Deluxe Edition)” — Sasha Barr, Ed Steed and Josh Tillman, art directors (Father John Misty) and “El Orisha de la Rosa” — Claudio Roncoli and Cactus Taller, art directors (Magín Díaz)
- Best Boxed or Special Limited-Edition Package: “The Voyager Golden Record: 40th Anniversary Edition” — Lawrence Azerrad, Timothy Daly and David Pescovitz, art directors (Various Artists)
- Best Album Notes: “Live at the Whisky A Go Go: The Complete Recordings” — Lynell George, writer (Otis Redding)
- Best Historical Album: “Leonard Bernstein — The Composer” — Robert Russ, compilation producer; Martin Kistner and Andreas K. Meyer, mastering engineers (Leonard Bernstein)
- Best Engineered Album, Non-Classical: “24K Magic” — Serban Ghenea, John Hanes and Charles Moniz, engineers; Tom Coyne, mastering engineer (Bruno Mars)
- Producer of the Year, Non-Classical: Greg Kurstin
- Best Remixed Recording: “You Move (Latroit Remix)” — Dennis White, remixer (Depeche Mode)
- Best Surround Sound Album: “Early Americans” — Jim Anderson, surround mix engineer; Darcy Proper, surround mastering engineer; Jim Anderson and Jane Ira Bloom, surround producers (Jane Ira Bloom)
- Best Engineered Album, Classical: “Shostakovich: Symphony No. 5; Barber: Adagio” — Mark Donahue, engineer (Manfred Honeck and Pittsburgh Symphony Orchestra)
- Producer of the Year, Classical: David Frost
- Best Orchestral Performance: “Shostakovich: Symphony No. 5; Barber: Adagio” — Manfred Honeck, conductor (Pittsburgh Symphony Orchestra)
- Best Opera Recording: “Berg: Wozzeck” — Hans Graf, conductor; Anne Schwanewilms and Roman Trekel; Hans Graf and Brad Sayles, producers (Houston Symphony; Chorus of Students and Alumni, Shepherd School of Music, Rice University and Houston Grand Opera Children’s Chorus)
- Best Choral Performance: “Bryars: The Fifth Century” — Donald Nally, conductor (PRISM Quartet and The Crossing)
- Best Chamber Music/Small Ensemble Performance: “Death & the Maiden” — Patricia Kopatchinskaja and the Saint Paul Chamber Orchestra
- Best Classical Instrumental Solo: “Transcendental” — Daniil Trifonov
- Best Classical Solo Vocal Album: “Crazy Girl Crazy” — Barbara Hannigan (Ludwig Orchestra)
- Best Classical Compendium: “Higdon: All Things Majestic, Viola Concerto & Oboe Concerto” — Giancarlo Guerrero, conductor; Tim Handley, producer
- Best Contemporary Classical Composition: “Viola Concerto” — Jennifer Higdon, composer (Roberto Díaz, Giancarlo Guerrero and Nashville Symphony)
- Best Music Video: “HUMBLE.” — Kendrick Lamar
- Best Music Film: “The Defiant Ones” — Various Artists
